5 Ways to Get the Most Out of Working Background

Richard Markman, an alternate on the Background Actors Committee, said that he will often pass out copies to new members so they can understand the protections of each contract — and understand any adjustments that they could be due during a production. When he sees new members dog-earing the booklet, he feels a sense of pride. “That to me is such a victory: I have done my job,” he said. “They want to know what their rights are and what they’re entitled to.” Find the Background Actors Contracts Digest and a downloadable PDF at sagaftra.org/background-actors-digest.

Don’t address adjustments with production staff.

Samantha Hartson, a member of the National and Los Angeles Background Actors committees, advised background performers to note any adjustments that they didn’t receive and file with SAG-AFTRA after their work has been completed. “Don’t make a production of it on set. File a claim with the union,” she said.

Treat background work like a job.

“It doesn’t matter how little the job is or how big the job is; it doesn’t matter if you’re just a cross, take pride in it,” said Hartson. “Don’t be looking to sit down as soon as you can. People are always watching you.” She also advised members not to carry their phones on set and stay close during breaks in shooting. “You never know when they’re going to need you,” she said.

Keep your headshots up to date and target your submissions.

Photos that don’t match your current look will annoy casting directors. Hartson and Markman both stressed that members should keep their photos current with Central Casting and L.A. Casting. “Submit for who and what you are. Be honest about your age range. If you’re 60 years old, don’t submit for 40 unless you actually look that age,” said Markman.

Bring the proper wardrobe.

If you’re required to bring wardrobe, bring wardrobe. Markman suggested going a step further and having multiple looks for the character available, in case the casting director doesn’t like the initial selection. “The production absolutely loves that,” he said. “Personally, I bring wardrobe for whatever my role may be. If you’re cast as a lawyer, don’t bring a pair of shorts.”

This item was originally featured in the fall 2019 issue of the SAG-AFTRA magazine.