Dallas-Fort Worth

 Join the SAG-AFTRA Foundation for an extraordinary opportunity to pose your audiobook related questions to four of the most celebrated narrators working in the industry today. This one hour Q&A session (5-6 p.m. PT / 8-9 p.m. ET) will be moderated by award winning Golden Voice Emily Woo Zeller. The panel will consist of the multitalented award-winning narrators Vikas Adam, Luis Moreno and Piper Goodeve. Don’t miss this chance to have your questions answered by the best in the business!

Participant Bios

Emily Woo Zelller (moderator)

Named a Golden Voice and a Best Voice of 2019, 2018, 2015, and 2013 by Audiofile Magazine, Emily Woo Zeller has garnered many awards in her voiceover career, including an Audie, Best Female Narrator from the Independent Audiobook Awards; multiple SOVAS awards, and almost two dozen Earphones Awards. Her voice has also been heard in video games, most recently as Panam in Cyberpunk 2077 and in The Last of Us Part 2, and dubbing for dozens of anime series. She most recently appeared as Doctor Aphra in the Star Wars audio drama, and as the narrator in PASSABLE IN PINK.

Vikas Adam

In addition to the over 400 genre hopping audiobooks Adam has recorded, he's an actor, director, and faculty at the UCLA School of Theater Film and Television. He also records for Audm/NYT and Apple News and co-hosts Ask An Audiobook Pro on Clubhouse.  Vikas has won the Audie Award, a SOVAS award, 15+ Earphones awards, is on several “Best of the Year” lists and has the distinction of being an inaugural inductee into the Audible Narrator Hall of Fame.  

Piper Goodeve 

Piper  is an actress, director, and audiobook narrator who has recorded over 250 titles for both indie authors and major publishers, including Harper Collins, Simon & Schuster, Macmillan, Tantor, and Audible Studios. A three-time Audie Award finalist, one-time winner, well as an Earphones Award recipient, Piper has also taught narration as well as produced and directed multiple audiobooks including #SOBLESSED, read by a full cast of Broadway stars including Brian Dennehy and Race, Sex and Robots read by Amandla Stenberg. She holds an MFA from Brown University, and splits her time between Brooklyn and Vermont with her husband Gabe (also a narrator!) and their sassy cat Caroline. 

Luis Moreno 

Luis is a Spanish-American performer from New York City. He’s worked in Off-Broadway, regional theater, and television since 2006. He's narrated nearly 90 titles for Recorded Books since 2009.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

How does an audiobook producer find talent? What exactly makes a good sample? For answers to these questions and more, join us for a very special conversation with beloved former EIF staff members Nithya Rajendran and Iris McElroy. Both of these phenomenal voice lab alumni have gone on to produce audiobooks for one of the top 5 publishing houses in the industry. This lively one hour discussion (3-4 p.m. PT / 6-7 p.m. ET) will give insight, invaluable career advice and resource suggestions from two of the industry’s most dynamic producers. Discussion to be followed by a Q&A.

BIOS

Nithya Rajendran

Born in India and raised all over the US, Nithya Rajendran has been in the audio space for her entire career: from starting in the music industry to doing live sound at prominent NYC venues to most recently running the EIF VO Lab at the  SAG-AFTRA Foundation. She now produces audiobooks of all varieties for a large global publishing house.  She currently resides in Memphis, TN.

Iris McElory 

Iris is a multifaceted audiobook producer, engineer, and all-around audio fan. With over a decade in the biz, she’s had the pleasure of working in all manners of VO production as an engineer and editor, and the business as an assistant agent at Abrams Artists, before settling into a producer role at HarperCollins Publishers and most recently Penguin Random House Audio. One of her favorite jobs however was working in the SAG-AFTRA Foundation voiceover lab in New York City.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Practice reading commercial copy and get helpful adjustments from our VO Lab engineer/booth director and your VO Lab peers.  Be ready to offer constructive feedback and support the learning process. VO Lab workout groups are a great way to fine tune your craft and have some fun hearing different perspectives on your takes. Copy will be provided by the VO Lab.

REQUIREMENTS

• If you are completely new to voiceover, you must complete the VO Lab's Beginner Bundle: Introduction to Commercial VO Workouts class before attending The VO Lab's Commercial Workout.  Beginner Bundle classes are posted at different times during the month just like our other classes.,  so check the Program Calendar regularly.  
• Participant must be present for the enitire program (Noon - 3 p.m. PT / 3-6 p.m. ET)

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

VO Lab programs and sessions are open to all SAG-AFTRA members and VO Lab eligible performers that meet the requirements, regardless of your location or the VO Lab program's city of origin. Once you have completed the required Voiceover Lab Application (online), you must complete the Voiceover Lab Orientation (VOLO) in order to begin using the Lab. This 2-hour VOLO covers Lab policies, home recording and other related topics.  There will also be a recording and editing demonstration using Twisted Wave software.

REQUIREMENTS

• Participation in VO Lab programs is open to union members in good standing, regardless of your geographical location or a program's city of origin. Join Details are generally emailed to participants approx. 1-2 Hours before the start time of the program. 
• Attendees must be present for the entire program (12:30 - 2 p.m. PT / 3:30- 5:30 p.m. ET) in order to receive VO Lab eligibility. If you have a schedule conflict, please attend orientation at another time.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Mastering is the final stage of production before an audiobook is released (or distributed).  During mastering, narrated audio is transformed into professional quality recordings that meet specific standards and ensure that audio levels are consistent. In this class you will learn about RMS, peak values, noise floor and other related aspects of the process.  We will be using Twisted Wave for this class, so if you use Twisted Wave have it with you durating the instruction.  If you are not a Twisted Wave user, the techniques you will learn can be applied using other popular DAWS and audio editors. Our intention is to help you master mastering; join us.      

REQUIREMENTS

• An interest in mastering for audiobook production.
• Knowledge of Twisted Wave.  You can visit twistedwave.com for details about this audio editor.
• Knowledge of other DAWS (Digitial Audio Workstations) can be helpful for context.
• Participants must be present for the entire class 5-7:30 p.m. PT / 8-10:30 p.m. ET

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Are you finding yourself burnt out with voiceover jobs, or the hustle involved with trying to get voiceover jobs? Do you wish the life of a voice talent was a bit less chaotic? Join award-winning narrator and industry veteran Gabra Zackman for a conversation about how to find some Zen in your career at every level of the business. This engaging discussion will offer invaluable advice on how to maintain a healthy work-life balance while managing your bookings, meeting your deadlines, looking for new work and networking. For anyone wishing to create a sustainable voiceover career, this conversation is not to be missed. 

INSTRUCTOR BIO

Gabra Zackman

Gabra Zackman is a New York City-based actress, audiobook narrator and writer (the Bod Squad Series, Pocket Books 2015; audiobooks co-produced with Rohan Audio for Audible Studios, 2016). She has performed off-Broadway (including Bedlam’s Sense and Sensibility by Kate Hamill), in regional theaters, several Shakespeare festivals (9 Seasons with Hudson Valley Shakes), and on TV in Law and Order, SVU, and AMC as well as a handful of indie film roles. Gabra is a company member of the Upstart Creatures, as well as their Outreach Director. Gabra has recorded over 500 audiobooks in nearly every genre. She has won Audiofile Earphones awards for her work, including a citation for Best Fiction Audiobook of 2017. Gabra’s recording of Michelle McNamara’s I’ll Be Gone in the Dark was on Audible’s Top Ten Audiobooks list for multiple weeks and number one on the New York Times Best Selling Audiobooks list. She is a 2018 Audie Award and Odyssey Award winner for the multicast Sadie. Her newest venture is as co-producer of her original audio series Nice and Naughty with Love Bytes Originals, and she is currently director and co-producer of the No Fear Shakespeare series for Hachette. Visit www.gabrazackman.com to learn more!

REQUIREMENTS

Participants must be present for the entire program 3-4 p.m. PT / 6-7 p.m. ET.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Join SAG-AFTRA's National Director of Audiobooks, Jane Love for an invaluable discussion about working in the exciting and expanding world of audiobooks. We'll explore the way our members do this work, as well as rates of pay and other normal terms and conditions of employment. We'll discuss resources available to members and answer questions about this niche area of SAG-AFTRA covered work. For anyone pursuing work in this vibrant industry, this discussion about rights, rates and resources is not to be missed!

INSTRUCTOR BIO

Jane Love

Jane Love has been with the union for 32 years, having spent most of those years in the Washington-Mid Atlantic Local.  She, together with Associate Executive Director/Labor Counsel for News and Broadcast, Rich Larkin, began organizing the audiobook industry in earnest in 2008 and has since increased union covered earnings from roughly 1 million in 2008 to more than 34 million in 2020 in partnership with an amazing group of member narrators.  Audiobook work is the fastest growing area of work in SAG-AFTRA's jurisdiction with earnings having jumped more than 20% in 2020 during the pandemic over 2019 earnings.  Love was appointed National Director, Audiobooks earlier this year.

REQUIREMENTS

Participants must be present for the entire program  Noon - 1:30 p.m. PT / 3-4:30 p.m. ET

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. 

COPRESENTED BY THE CASTING SOCIETY OF AMERICA AND THE SAG-AFTRA FOUNDATION

Why aren’t you auditioning for video games? Join the Casting Society of America and the SAG-AFTRA Foundation to hear about the exciting opportunities for actors in the video game industry, including answers to your most-asked questions about the casting process, audition tips, and experiences on set. This panel features casting directors Carla Hool and Millie Tom, performance director Tom Keegan, and experienced video game actors Karen David, Elizabeth Grullón, Christopher Mychael Watson, and Noshir Dalal. Moderated by casting director Lisa Zambetti.

A Q&A will follow the panel, and member participation is encouraged.

Click here for details, panelist bios and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

This class will meet REMOTELY. All RSVP'D Members will receive a ZOOM Link inviting them to join the class.

If you have not received the link by the morning of the class, please check your spam, junk, or promotions folders. If you still cannot find the link, please send us an email at thebusiness@sagaftra.foundation.

This class begins at 1 p.m. PST/4 p.m. EST.

SYNOPSIS

The audition is not only how one prepares the material. It is also about the mindset actors have about auditioning, how they conduct themselves in the room and how they let it go. This session will cover the many ways actors can prepare mentally, physically and psychologically for the audition.

Please bring pencil or pen along with something to take notes.

Small Group Sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for 1.5 - 2 hours. Participants must stay for the whole time.

Click here for details and to RSVP

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

This class will meet REMOTELY. All RSVP'D members will receive a ZOOM link inviting them to join the class.

If you have not received the link by the morning of the class, please check your spam, junk, or promotions folders. If you still cannot find the link, please send an email at thebusiness@sagaftra.foundation.

This class begins at 1 p.m. PST/4 p.m. EST.

SYNOPSIS

Building one's team is an important component to an actor's career. This small group session will cover what an actor has to keep in mind when looking to add a commercial agent, theatrical agent, and manager to their team.

Please bring pencil or pen along with something to take notes.

Small Group Sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for 1.5 - 2 hours. Participants must stay for the whole time.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.