New York

Fridays Bi-weekly

Teacher: Ron Torgow

This class is designed to help students achieve a successful commercial audition in a fun and informative environment. The class consists of working with Commercial copy board and hand held paper copy. Various techniques are used to achieve a natural, honest, and unique audition. Improvisation techniques may also be used. Students may bring their own material or use commercial copy available. Auditions are played back and reviewed.

RSVP: The registration form for this class will open below on Monday, April 28. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App.

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, April 28. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Monthly on the second Thursday

Teacher: Christina Bobrowsky

This class will focus on wellness techniques to be present and calm the mind. 

Structure 
Beginning with a simple introduction breathwork, I will introduce basic Alexander Technique - a gentle practice to change movement habits in everyday activities. We will begin a discussion on who has experience with these topics and their thoughts. We will explore the ways that acting and awareness go hand-in-hand. We will touch upon additional techniques, i.e. Wim Hof, Transcendental Meditation and Qi Gong.

RSVP: The registration form for this class will open below on Monday, April 28. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Monthly on the second Wednesday

Teacher: Melinda Hall

Bring your favorite Shakespeare monologue, 1-2 minutes.
Bring a printout of the text of any monologue you like, gender & age of character is unimportant. Just bring one that interests you.

RSVP: The registration form for this class will open below on Monday, April 28. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Jon Freda

Exercises for playing the purpose of a scene by focusing on choices in scripted and unscripted scenarios.

RSVP: The registration form for this class will open below on Monday, April 28. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, April 28. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Thursdays Bi-weekly

Teacher: Mia Christo

This class will introduce acting terminology, screenwriting, and genre and how that affects acting for the camera. 
This course will help students begin to develop a personal preparation system for an on-camera role and introduce them to the business of film and television. Filled with a mix of science and artistry this class focuses on bringing your best for the camera, and learn basic set etiquette.

RSVP: The registration form for this class will open below on Monday, April 21. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, April 21. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.