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At the Table Read of "Broken Sinclair" - Call for Auditions

page of a script black lettering on white paper
Feb 26, 2025 - 5:30 PM to Mar 03, 2025 - 6:00 PM CST

Where: KRC - 1 E. Erie, Suite 660

​The next script for the AT THE TABLE Table Read Series is Broken Sinclair by Beth Ashby. The read will take place at 6 p.m. on Monday, March 3, 2025, with a rehearsal on Wednesday, February 26 at 5:30 pm. If you are available on both dates and interested in auditioning, please see the breakdown below. Deadline for submissions is Monday, February 17th at 5 p.m.
 
At the Table is a volunteer program that SAG-AFTRA Chicago partners with IFA Chicago in an effort to introduce SAG-AFTRA to up and coming filmmakers through the reading of their "soon-to-be" produced feature films.
 
Email Kathy.Byrne@sagaftra.org to request sides and submission details. Please include the name of the character you would like sides for in the subject line of the email. 

 

Logline

An eighth-grade boy who was born empty - literally - makes his first-ever friend at school the same week that his parents agree to sell him to a collector of oddities for scientific study.

 

Synopsis

Broken Sinclair was born empty – no blood, no guts, no feelings – just the hollow shell of a child walking around looking outwardly like any other awkward kid, trying to be normal. But this goal is made harder - not by the bullies at school, or by his Bowie-worshipping hover-mom and his neglectful, ninja-star-throwing dad, but by the relentless attention of Leigh, a nerdy sci-fi-loving girl at school who decides she wants to be Broken’s friend. When a mysterious collector of oddities offers his strapped-for-cash parents ten million dollars for Broken, he doesn’t mind. But when Broken later accidentally makes Leigh cry, he promises to go to her birthday party the following week, which complicates his prior commitment to the Collector.  What follows is a misadventure in which impossible obstacles and mad scientists push Broken towards making a choice between letting the momentum of the world sift him into oblivion - or choosing to show up for someone who cares about him, even if it means the humiliation and pain that come along with the act of caring back.

 

[NARRATOR]  Any gender, age, ethnicity.  The narrator’s deadpan delivery of the dark and strange unrealities of Broken’s world establishes a sense of rhythm and a baseline of normalcy for this stylized work.

 

[BROKEN SINCLAIR]  M, 13.  Any ethnicity.  Broken Sinclair was born empty – literally.  No blood, no guts – just the outer shell of a boy walking around trying to figure out how to be normal. Broken doesn’t really understand feelings either, but he always wears a slight smile and speaks cheerily to keep people around him happy.  If he satisfies everyone else, he hopes he can get one shining moment of quiet where all the bustle and noise and expectations surrounding him just stop.

 

[LEIGH]  F, 13. Any ethnicity; BIPOC applicants encouraged.  Awkward, sweet, energetic, and whip-smart, Leigh seeks solace from her loneliness in the outlandish sci-fi and fantasy stories that make her feel part of something bigger. Though she has friends who keep her engaged in trying to fit in, she keeps reaching out toward Broken with relentless enthusiasm, hoping to be truly understood by another misfit.

 

[THE COLLECTOR]  M or NB, 40s-50s.  Any ethnicity, BIPOC applicants encouraged.  Driven by a sense of loss, the mysterious Collector seeks oddities and rarities throughout the world.  With inexhaustible wealth, his hunger to transform the busily destructive world into something more peaceful (that he can have control over) leads him to try to crack open the secret of Broken’s emptiness in the hopes that everyone can become more like Broken.

 

[MRS. SINCLAIR] F, late 30s-40s, any ethnicity – An ideal mother straight out of a 50s sitcom – and a devout worshipper of David Bowie – Carolyn Sinclair has essentially conjured a family out of nothingness through sheer force of will, and will literally sell her blood, eggs – even her own hopes about the future – to give her empty son (her miracle child) a good life. As harsh realities set in, the world she’s created for them proves increasingly fragile, as does her ability to hold that world together.

 

[MR. SINCLAIR] M, late 30s-40s, any ethnicity – Jack Sinclair carries resentments over his son’s “miracle” birth, which racked up so much medical debt that they still haven’t caught up 13 years later.  The expenses of raising a child have made his unpursued dreams (being a ship captain, a ninja, generally wealthy) fade out of sight, leaving him resentful and determined to pay his child as little attention as possible.  He’s literally happy to sell Broken at the first opportunity to get out of debt and envision a new identity for himself and Mrs. Sinclair – whose disaffection he notices too late.

 

[JACKIE]  F, 13 (can be read by adult).  Any ethnicity.  BIPOC applicants encouraged.  Jackie, an honor student and high-functioning nerd, is fiercely protective of her best friend Leigh and hopes to help her to get through the insanity that is middle school.  In her efforts to shelter Leigh from the cruelties of school life, she sometimes ends up perpetuating them.  Actor reads multiple other roles.

 

[ELLA]  F/NB, 13 (can be read by adult).  Any ethnicity.  BIPOC applicants encouraged.  Leigh’s friend, Ella, tries to hide her own awkwardness and insecurity by following Jackie’s lead, diverting attention away from herself with a devious smile whenever the spotlight tries to turn on her.  Actor reads multiple other roles.

 

[DR. TWELVE]  F, 40s.  Any ethnicity. BIPOC applicants encouraged.  As a scientist, Dr. Twelve shares The Collector’s deep curiosity, though her goals are more about unlocking the mysteries of matter and being than about power, which causes tension between them as he becomes more ruthlessly ambitious.  Actor reads multiple other roles.

 

[MS. FOSTER]  F, 30s. Any ethnicity. BIPOC applicants encouraged.  Ms. Foster, the science teacher, means to form healthy starts to the lives and educations of these eighth graders, though she’s often thwarted by their home situations, their attention spans, her own poor drawing skills, and some rather limiting school policies.  Actor reads multiple other roles.

 

[LENNY]  M, 14 (can be read by adult), Any ethnicity.  BIPOC applicants encouraged.  A chill eighth-grade boy who keeps out of drama, is nice to pretty much everyone, and leads a fantastical inner life, which no one else sees, through the odd assortment of books he reads. Actor reads multiple other roles.

This event is only open to active SAG-AFTRA  Chicago members in good standing (paid through April 30, 2025). No guests are allowed. Parents/guardians of performers under 18 years old are welcome.

ADA requests may be included on your RSVP form below. Please note that ADA requests must be received 72 hours before the start of the event.



New England Conservatory: Actor Prep Workshop

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Nov 06, 2024 - 6:30 PM to 8:30 PM EST

Where: Hibernian Hall, 184 Dudley Street, Roxbury, MA 02119

Vocal warmups, tongue twisters, physical warmups, emotional preparation, getting out of your head and into the scene, improvisation, and more! This workshop is for every actor who may be bored with their preparation and those just entering the world of how to prepare for auditions, callbacks, and filming.

All are welcome to this special New England SAG-AFTRA Conservatory, in collaboration with the Roxbury International Film Festival, and presented by Secret Society of Black Creatives Actors Forum members, and SAG-AFTRA members David J. Curtis, Liz Eng, Naheem Garcia and Andrea Lyman. 

This Actor Prep Workshop is open to all SAG-AFTRA members and the general public! 

Click here for information on public transit, driving directions, and where to park at Hibernian Hall

RSVP: Reservations are required. Please complete the form below to RSVP.



New England Conservatory: Stay in Sync with Slate Casting

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Oct 09, 2024 - 6:00 PM to 8:00 PM EDT

Where: Cathedral Church of St. Paul, Sproat Hall,138 Tremont Street, Boston, MA 02111

With over decades of casting experience, Slate Casting finds and works with the best New England actors for commercials, corporate media and independent films. Join the casting directors of Slate on Wednesday, October 9, for an open discussion where you can get to know what they look for when casting and learn how  you can make your mark in the casting process.

RSVP: Reservations are required. Please complete form below to RSVP. Please note that you must be logged in to RSVP. 

This event is only open to paid-up SAG-AFTRA members in good standing — no guests are allowed. Parents/guardians of performers under 18 years old are welcome. SAG-AFTRA members, please bring your membership card or digital card from the app (paid through October 31, 2024) for admittance.



Atlanta Local Conservatory: Insight into the Casting Process

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Sep 16, 2024 - 7:00 PM to 9:00 PM EDT

Where: Wieuca Baptist Church, 3626 Peachtree Rd NE, Atlanta, GA 30326

The SAG-AFTRA Atlanta Local Muriel Moore/Danny Nelson Conservatory presents: Insight into the Casting Process. A Q & A  with Clifton Gutterman. 

 

Clifton Gutterman is a multi-hyphenate Atlanta entertainment veteran who has performed, directed, produced, and cast projects for stage and screen professionally, since 2001. Clifton led the film and television division of Atlanta’s Big Picture Casting where he cast film, television, animation, and web projects. Previously, Clifton was Associate Artistic Director and Casting Director from 2012-2020 at Theatrical Outfit. He was the Alliance Theatre’s Artistic and Casting Assistant from 2001-2005 and Producer in Residence at Actor’s Express for the 2015-2016 season. Clifton has cast over 150 professional plays, musicals, films, and shows over two decades.

60 members will participate. There will be a Wait List. If you must cancel, you must do so prior to 24 hours of the event so another member may participate. Doors will close at 7:05 p.m. No one will be admitted after that time out of respect for our presenter and all participants.

 

Also, if you are a “no-show,” per Conservatory rules, you will be exempted from any events for the following month. 

Our Conservatory will be collecting non-perishable food items for the Atlanta Community Food Bank.

RSVP: Reservations are required. Please complete form below to RSVP. Please note that you must be logged in to RSVP. 

This event is only open to paid-up SAG-AFTRA members in good standing — no guests are allowed. Parents/guardians of performers under 18 years old are welcome. SAG-AFTRA members, please bring your membership card or digital card from the app (paid through October 31, 2024) for admittance.



Getting Cast in Faith-Based Films

A film clapper board sits to the left of two movie reels.
Mar 26, 2025 - 6:00 PM to 8:30 PM CDT

Where: Nims Center Studio, 800 Distributors Row, Harahan, Louisiana 70123

We are excited to announce that casting director Beverly Holloway, CSA, will be our SAG-AFTRA New Orleans Local Conservatory guest on Wednesday, March 26. She will provide insights on casting TV and feature film projects across multiple genres including faith-based productions. Holloway will join virtually and Local Board member and Conservatory Chair Lance Nichols will moderate with the assistance of Conservatory Vice Chair Kim Baptiste.

 

Q&A Session: You will have an opportunity to ask questions about the casting process, industry trends and personal experiences.

Doors open at 6 pm. Event begins at 6:30 pm SHARP. Reservations are required. Beverages and light refreshments will be provided.
Cost: SAG-AFTRA member fee is $10. If you are not a SAG-AFTRA member, you may attend for $20. All attendees must register below. You will be sent a link for payment in your email confirmation. There are no refunds if you cancel.

 

About the presenter: Beverly Holloway has been an independent casting director for TV and feature film for almost 30 years and is proud to be a member of The Casting Society of America. Throughout her career, Beverly has had the opportunity to work with some of the best actors in the industry across multiple genres of film including drama, comedy, family/faith, action/adventure, rom-com, thriller, sci-fi, horror and animation. Beverly’s full list of credits can be found here.

RSVP: Reservations are required. Please complete form below to RSVP. 

This event is open to SAG-AFTRA members and non-members pursuing an acting career. Parents/guardians of performers under 18 years old are welcome. 

Please note that ADA requests must be received 72 business hours before the start of the event.



Self Taping Gear Night

Jul 15, 2024 - 4:00 PM to 6:00 PM CDT

Where: The Kaufherr Center (KRC) - 1 E. Erie, Suite 660, Chicago IL

SAG-AFTRA Chicago Conservatory Presents: Self Taping Gear Night!

Feeling overwhelmed about self taping? Worried that you don’t have the right camera, lighting, sound, or backdrop to shoot at home? Wondering what you could do better, easier, and faster to have the most effective self tapes? Having a hard time figuring how to submit when on vacation? Do these questions sound familiar? Then be sure to join us on July 15th at 6 pm at the Kaufherr Center as we sit down with Jim Dougherty. If you've got questions, Jim's got answers!

Jim Dougherty (director, producer, writer, casting director, cinematographer, stunt driver, fight coordinator, editor, actor, and more!) has worked on hundreds of films, tv shows, and stage productions. As a  fellow SAG-AFTRA Member, he has become a true maven on the workings and value of self-taping and is ready to show YOU how to take your self tapes to the next level.

Self-taping is here to stay, so be sure to RSVP for this Conservatory event today to claim your seat and get answers to all your burning questions!
 

RSVP: Reservations are required. Please complete the form below to RSVP; you must be logged in to RSVP. 

This event is only open to paid-up SAG-AFTRA members in good standing (paid thru Oct. 31, 2024.) No guests are allowed. Parents/guardians of performers under 18 years old are welcome.

Please note that ADA requests must be received 72 business hours before the start of the event. 



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