NY Conservatory

One Day Workshop

Teacher: Sanjit De Silva

Students will be exposed to basic lessons in On-Camera work. On-camera work on short audition sides will help students gain experience in working in front of the camera and in reviewing their work on screen in order to make improvements in the application of their acting skills to the medium of on-camera performance. We will also talk about using this process for self-tapes. 

RSVP: The registration form for this class will open below on Monday, Feb. 24. 
Please note there is no frequency restriction for this workshop. You can sign up for this workshop as well as register for one NY Conservatory class taking place this week. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, Feb. 24. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Thursdays Bi-weekly

Teacher: Evan Bass

Have you been daunted by self-producing or are you an old hat? Self-Producing 101 will delve
into everything pre-production, production, and post-production to give you a template for how
to be prepared at each level of your filmmaking. Featuring Q&As at the end of each session,
bring your notepads and questions and get ready to create your own work!

PART 4: EVERY QUESTION, FROM EVERYWHERE, ALL AT ONCE

• Any and all Self-Producing questions.

RSVP: The registration form for this class will open below on Monday, Feb 24. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Wednesdays Bi-weekly

Teacher: Jill Stern

Through the lens of the self-tape audition, we'll focus on what you can do to bring your work to the next level. Please bring a TV/Film scene not more than 2 minutes in length (about 2 pages). Up to 8 participants will have the opportunity to work on a scene.

RSVP: The registration form for this class will open below on Monday, Feb. 24. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Jon Freda

Exercises for playing the purpose of a scene by focusing on choices in scripted and unscripted scenarios.

RSVP: The registration form for this class will open below on Monday, Feb. 24. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, Feb. 24. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Tuesdays Bi-weekly

Teacher: Marc Baron

Discussion will include story, structure, character development, formatting, software, festivals and more.
 

RSVP: The registration form for this class will open on Monday, Feb. 24. Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Fridays Bi-weekly

Teacher: Ron Torgow

This class is designed to help students achieve a successful commercial audition in a fun and informative environment. The class consists of working with Commercial copy board and hand held paper copy. Various techniques are used to achieve a natural, honest, and unique audition. Improvisation techniques may also be used. Students may bring their own material or use commercial copy available. Auditions are played back and reviewed.

RSVP: The registration form for this class will open below on Tuesday, Feb. 18. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App.

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Tuesday, Feb. 18. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Monthly on the 4th Wednesday

Teacher: Aan Steele

The eyes are the mirror of the soul. On camera, the eyes show what is going on in the brain. This class will concentrate on delivery on camera. Please come prepared with a 2 minute monologue or scene. Actors will slate and record their monologue or scene. After playback, feedback will be given from the instructor and peers. 

RSVP: The registration form for this class will open below on Tuesday, Feb. 18. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.