Conservatory

Weekly

Teacher: Jon Freda

Exercises for playing the purpose of a scene by focusing on choices in scripted and unscripted scenarios.

RSVP: The registration form for this class will open below on Monday, Jan. 27. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, Jan. 27. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Tuesdays Bi-weekly

Teacher: Marc Baron

Discussion will include story, structure, character development, formatting, software, festivals and more.
 

RSVP: The registration form for this class will open on Monday, Jan. 27. Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Fridays Bi-weekly

Teacher: Ron Torgow

This class is designed to help students achieve a successful commercial audition in a fun and informative environment. The class consists of working with Commercial copy board and hand held paper copy. Various techniques are used to achieve a natural, honest, and unique audition. Improvisation techniques may also be used. Students may bring their own material or use commercial copy available. Auditions are played back and reviewed.

RSVP: The registration form for this class will open below on Tuesday, Jan. 21. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App.

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Jon Freda

Exercises for playing the purpose of a scene by focusing on choices in scripted and unscripted scenarios.

RSVP: The registration form for this class will open below on Tuesday, Jan. 21. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Tuesday, Jan. 21. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Tuesday, Jan. 21. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

The Houston-Austin Local Conservatory is offering our members a FREE in-person actor's workshop with Brad Fleischer on Sunday, Jan. 26 from 1-3 p.m. at the Crashbox in Austin. Brad Fleischer will take time to introduce himself, and speak about his experience and his plans for the Houston-Austin area, having recently relocated to Houston. If time permits, Fleischer will provide sides and coach several volunteers.

About Brad Fleischer: Brad Fleischer is an actor, director and producer with over 20 years experience in theater, film and TV. He has been an acting teacher and set coach for the past 15 years. He starred on Broadway with Robin Williams in Bengal Tiger at the Baghdad Zoo as well as acting in Coram Boy, Golden Boy and Streamers. Fleischer's TV and film credits include The Walking Dead, The Equalizer, The Good Shepherd, Prison Break, Blue Bloods, The Unit, Law and Order, and Jericho. Fleischer was an associate producer on the film Small Engine Repair, starring Jon Bernthal and Shea Whigham. His production company, GhostLight media, can be found at ghostlight-media.com.

RSVP by NOON on Friday, Jan. 24. Space is limited. Members who register after the list is at capacity will be placed on a waiting list. Complete the form below to RSVP. Please note that you must be logged in to RSVP. 

This event is only open to active SAG-AFTRA members in good standing (paid through April 30, 2025). No guests are allowed. Parents/guardians of performers under 18 years old are welcome.

ADA requests may be included on your RSVP form below. Please note that ADA requests must be received 72 hours before the start of the event.

Are you a producer, actor or both trying to navigate the world of low-budget theatrical contracts? Understanding contracts is crucial for independent filmmakers to learn how to successfully work under our contracts and for actors to ensure their rights are being protected and they are receiving fair compensation.

Join Tawanda L. Duck, SAG-AFTRA Business Representative II for a SAG-AFTRA Theatrical/Non-Episodic New Media Low-Budget Contracts workshop. Topics that will be covered include:

• A guide through the SAG-AFTRA signatory process
• A breakdown of the details and costs of various low-budget contracts (Micro-Budget, Short, Ultra, Moderate and Low Budget Contracts)
• Best practices and helpful tips for independent filmmakers

Check-in begins at 1:45 pm. 

Parking is free.  

Cost: Free for members in good standing. Member registration is required below. 

If you are not a member, you can attend for a fee of $20. You must register on the form below and pay at this form.
 

This event is open to active SAG-AFTRA members in good standing (paid through April 30, 2025). Non-members can attend for a fee of $20 payable in advance. Parents/guardians of performers under 18 years old are welcome.

ADA requests may be included on your RSVP form below. Please note that ADA requests must be received 72 hours before the start of the event.

This is a six week course.

You must have already taken Scene Study Masterclass #1 to take this course.

Once you were registered for the initial prerequisite class on January 7, you were automatically registered for this class.  

Location: SAG-AFTRA Plaza, Maxwell (Lobby Level)
           5757 Wilshire Blvd, Los Angeles, CA 90036

Instructor: Jamison Jones

Description:

Join the SAG-AFTRA LA Conservatory for Scene Study Masterclass with Jamison Jones!

This course is designed to help the actor develop a process that gives them clear-cut results in the audition room, on set, and on the stage, to aid in getting in touch with the emotional center, make strong choices that elevate the material and get them noticed.

Like all great actors they will learn to bring themselves to the role and trust their instincts, all while getting in touch with themselves as an actor, an artist and an individual.

Directions: Actors are required to bring a notebook to class, memorize lines, and work outside of class to ensure they come prepared. It is recommended you wear clothing appropriate to the scene work assigned, arrive to class warmed up, and ready to work. 
 

Actors are recommended to read books such as "Acting: The 1st 6 Lessons" by Richard Boleslawski for this class series. 
 

Questions? Email conservatory@sagaftra.org

This workshop is only open to paid-up SAG-AFTRA members in good standing. No guests allowed. All performers under the age of 18 must be accompanied by their parent or legal guardian. This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for the advice of other industry professionals. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

ADA requests must be received 72 business hours before the start of the event.