Houston-Austin

This class is the follow up to Audacity 101. Participants must have the proficiency with Audacity to self-produce an audio commercial with voice, music and sound effects. Learning to mix various pieces of audio and understand the fundamentals of audio production are the goals.  For the inspired, it will provide a blueprint on how to produce a voiceover demo.  

REQUIREMENTS

• This is not an Audacity beginner class. Completion of Audacity 101 at the DLF VO Lab or experience using Audacity software is required. Prospective participants (those on the Waitlist, as well) may be emailed additional questions to help us understand your knowledge of Audacity.
• Participants must be proficient using Audacity software for recording and editing audio.
• Have Audacity downloaded onto your laptop computer.  THE URL: https://www.audacityteam.org  If you already have it ready to go on your computer there is no need to download it again.
• Participants must be present for the entire program (5-7:30 p.m. PT / 8-10:30 p.m. ET).

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

What's scarier than stage fright? In honor of the spooky month of October, this SAG-AFTRA Foundation's Voiceover Lab and The Business Online panel confronts the fears that often haunt performers before, during and after they take the stage. Featuring professionals trained in mindfulness, Feldenkrais Method, hypnosis and more, the panel focuses on how performers from all facets of the industry can use mental and physical techniques to calm and center themselves in the face of performance anxiety on and off the stage, screen and microphone. 

This one hour session (4-5 p.m. PT / 7-8 p.m. ET) will include a panel discussion with Suzanne Toren, Melissa Tiers, Peter Pamela Rose, and moderator Gabra Zackman, followed by a member Q&A. Member participation is encouraged!

Click here for details,, panelist bios, and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Audacity is a widely used FREE DAW for Macs and PCs that is very popular in voiceover. Knowing how to use more of its functions can advance your workflow and help you produce better audio recordings and ultimately help you produce better sounding auditions, voiceover demos, songs and other audio related projects. This is important to your knowledge base and the concepts learned in Audacity 101 can help you with other multi-track recording software. Also, completion of Audacity 101 qualifies you to take Audacity 102, where you will produce a commercial with voiceover, music and sound effects.

Duration of program: 5 - 7 PM (Pacific) / 8 - 10 PM (Eastern)

REQUIREMENTS

• Previous experience with Audacity or other audio software applications is highly recommended. If you have no previous experience with Audacity or other audio software applications, joining this class for exposure to it's capabilities and for information purposes may be an option for you, as knowledge is power. However, just know that some of the concepts may be difficult to understand. 
• Very Important: Audacity must be downloaded on to your computer and functioning properly before this class begins  Download instructions and OS (Windows/Mac/Linux) compatibility are on the Audacityteam.org website. Follow the instructions on that site to ensure the software is working properly on your computer.  We will not be able to commit time to troubleshooting download issues during the class.  Email questions to ashuford@sagaftra.foundation   
• Download Audacity FOR FREE by copying this URL into your search window: http://www.audacityteam.org/   

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

The Geena Davis Institute on Gender in Media and the SAG-AFTRA Foundation are pleased to extend a special invite to SAG-AFTRA members to participate in the Institute's annual Global Symposium.

You will receive the Zoom link to log into the Symposium Webinar one hour before it begins. See below for more information and the list of speakers. Please reach out to Jazmin Borad at jazmin@seejane.org with any questions.

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Join the Geena Davis Institute, Nielsen, USC Viterbi and the SAG-AFTRA Foundation as they present their latest research, insights and tools on evaluating diversity, equity and inclusion for onscreen representation in popular television over the past five years. You will hear from global leaders in the Industry examining if and how we have progressed in children’s content over this time.

Opening Remarks
Geena Davis | Founder and Chair, Geena Davis Institute on Gender in Media

Event Moderator
Madeline Di Nonno | President and CEO, Geena Davis Institute on Gender in Media
 
USC/GD-IQ Presentation
Shrikanth (Shri) Narayanan | Professor and Niki & C.L. Max Nikias Chair in Engineering, USC

Research Presentation
Ninochka McTaggart Ph.D. | Associate Vice President, Research and Insights, Geena Davis Institute on Gender in Media

Nielsen Insights
Stacie M. de Armas | SVP, Inclusive Intelligence and Initiatives, Nielsen
 
Panelists
Peyton Elizabeth Lee | Star of Disney+ Original Series, Doogie Kamealoha, M.D.
Miranda May | Star of Disney Channel's Comedy Series, BUNK'D
Sidney Clifton | SVP of Animation and Mixed Media, The Jim Henson Company
Charlie Cooper Henniker | Head of Film Production, LEGO
Diane Ikemiyashiro | VP, Current Series, Disney Junior
Kristofer Updike | VP of Development, Peacock Kids

Global Insights
Mounia Aram | Founder and President, Mounia Aram Company
Tejonidhi Bhandare | CEO, Reliance Animation
P. Jayakumar | CEO, Toonz Media Group
Charlene Tan | Director of Original Production & Development, Kids APAC
Erika Vogt | Director of Programming and Acquisitions for HITN Television and Digital Services

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

In honor of National Disability Employment Awareness Month, watch this replay from Spring 2019 to become better acquainted with the rich diversity of talent available in our incredible community of performers with disabilities and hear from industry professionals who are working to cast and include the disabilities community.

 

Begins at Noon PT / 3 p.m. ET

Source Connect, ipDTL and Phone Patches  are technologies that allow your home studio to be remotely connected to directors, clients, casting directors, and engineers from anywhere in the world. With producers increasingly relying on this type of studio connectivity, it is essential that talent understand and be able to navigate these tools. Join EIF staff, Tatiana Grey as she covers the basics of these tools and provides  resources to help you decide which technology is the best for your budget and your situation. 

Please note:  you must have a home studio set up in order for this class to be of use to you.  

REQUIRMENTS 

• MUST HAVE HOME STUDIO SET-UP. Participants must remain for the duration of the session. 

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Begins at noon PT / 3 p.m. ET

VO Lab programs and sessions are open to all SAG-AFTRA members and VO Lab eligible performers that meet the requirements, regardless of your location or the VO Lab program's city of origin. Once you have completed the required Voiceover Lab Application (online), you must complete the Voiceover Lab Orientation (VOLO) in order to begin using the Lab. This 2-hour VOLO covers Lab policies, home recording and other related topics.  There will also be a recording and editing demonstration using Twisted Wave software.

REQUIREMENTS

• Participation in VO Lab programs is open to union members in good standing, regardless of your geographical location or a program's city of origin. Join Details are generally emailed to participants approx. 1-2 Hours before the start time of the program. 
• Attendees must be present for the entire program (12:30 - 2 p.m. PT / 3:30- 5:30 p.m. ET) in order to receive VO Lab eligibility. If you have a schedule conflict, please attend orientation at another time.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

This class will meet REMOTELY. All RSVP'D Members will receive a ZOOM Link inviting them to join the class.

If you have not received the link by the morning of the class, please check your spam, junk, or promotions folders. If you still cannot find the link, please send us an email at thebusiness@sagaftra.foundation at least 15 minutes before the start of class time.

This class begins at 1pm PST/4pm EST.

SYNOPSIS

This class will cover the basics of making a professional Self-Tape and how to audition remotely using Facetime, Skype, etc.

Please bring pencil or pen along with something to take notes.

Small Group Sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for 1.5 - 2 hours. Participants must stay for the whole time.

Click here for details and to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

This class will meet REMOTELY. All RSVP'D Members will receive a ZOOM Link inviting them to join the class.

If you have not received the link by the morning of the class, please check your spam, junk, or promotions folders. If you still cannot find the link, please send us an email at thebusiness@sagaftra.foundation.

This class begins at 1 p.m. PST/4 p.m. EST.

SYNOPSIS

The audition is not only how one prepares the material. It is also about the mindset actors have about auditioning, how they conduct themselves in the room and how they let it go. This session will cover the many ways actors can prepare mentally, physically and psychologically for the audition.

Please bring pencil or pen along with something to take notes.

Small Group Sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for 1.5 - 2 hours. Participants must stay for the whole time.

Click here for details and to RSVP

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

This class will meet REMOTELY. All RSVP'D Members will receive a ZOOM Link inviting them to join the class.

If you have not received the link by the morning of the class, please check your spam, junk, or Promotions folders. If you still cannot find the link, please send us an email at thebusiness@sagaftra.foundation at least 15 minutes before the start of class time.

This class begins at 1 p.m. PST/4 p.m. EST.

SYNOPSIS

Headshots are an actors' calling card, but is it a professional picture that matches with how the buyers see you? Does your picture accurately communicate the product that is being sold? In this session we will discuss what your headshot is communicating and if that matches with what is coming into the audition room.

Please email copies of the headshots (MAX 2) that are submitted the most to thebusiness@sagaftra.foundation, by 7 p.m. the evening prior to the class. The class may not get through all headshots. 

If you have taken The Branding Workshop, please bring a typed copy of your branding sentence. It is not required that you take The Branding Workshop before you take this session.

Small Group Sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for 2 - 3 hours. Participants must stay for the whole time.

Click here for details and to RSVP

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.