New York

Monthly on the 4th Wednesday

This class is taking place from 12:15 p.m. to 2:15 p.m. for this week only. Class schedule will return to its regular time schedule on Wednesday, May 28.

Teacher: Aan Steele

The eyes are the mirror of the soul. On camera, the eyes show what is going on in the brain. This class will concentrate on delivery on camera. Please come prepared with a 2 minute monologue or scene. Actors will slate and record their monologue or scene. After playback, feedback will be given from the instructor and peers. 

RSVP: The registration form for this class will open below on Monday, April 14. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

This class is cancelled. The next available date will be Wednesday, April 30.

Weekly

Teacher: Jon Freda

Exercises for playing the purpose of a scene by focusing on choices in scripted and unscripted scenarios.

RSVP: The registration form for this class will open below on Monday, April 14. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, April 14. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

This class is taking place on consecutive Fridays (April 11 & April 18) for this week only. Class schedule will return to its regular  bi-weekly cadence in May.

Fridays Bi-weekly

Teacher: Ron Torgow

This class is designed to help students achieve a successful commercial audition in a fun and informative environment. The class consists of working with Commercial copy board and hand held paper copy. Various techniques are used to achieve a natural, honest, and unique audition. Improvisation techniques may also be used. Students may bring their own material or use commercial copy available. Auditions are played back and reviewed.

RSVP: The registration form for this class will open below on Monday, April 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App.

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Are you a SAG-AFTRA New York Local member who serves or served in the armed forces? Want tips on how your military experience can enhance your acting career? Want to learn how to work with an agent? Join the New York Military Committee for a special meet-the-agent via zoom.

Whether you are just starting out in your performing career or looking to refine your approach, this is a great opportunity to gain valuable industry knowledge. 

Topics to include:

• How military skills translate to the entertainment industry
• What agents look for regarding special skills in veteran performers

• Practical steps to position yourself for success

   

Meet the Agent: Barry Kolker

Barry has been in the talent agency business for 33 years. His team represents adults and children for theater, film, and television. Clients television credits include the Hulu series Paradise and ABC series High Potential. Client's film credits include Lost On A Mountain in Maine, Avenue Of The Giants, Tiny Fugitives, The Best Christmas Pageant Ever, Playdate, The Slumber Party, and Life Of Chuck. Barry has a BFA in Acting from LIU/CW Post.

The New York Local Military Committee advocates for SAG-AFTRA members who have served, or presently serve in the US military. We endeavor to increase employment opportunities by outreach and engagement across the entertainment industry and by providing development opportunities such as classes, panels and gatherings to engage and unite the community. 

RSVP: Reservations are required. Please complete form below by 9:00 a.m. on Wednesday, April 9 to RSVP. Please note that you must be logged in to RSVP. 

This event is only open to active SAG-AFTRA members in good standing (paid through April 30, 2025). No guests are allowed. Parents/guardians of performers under 18 years old are welcome.

ADA requests may be included on your RSVP form below. Please note that ADA requests must be received 72 hours before the start of the event.

Please note that SAG-AFTRA will be taking photographs and videos at the event which might be used in our publications, social media, and to promote the union and its activities. You might appear in the photos and video and, by attending with SAG-AFTRA's group, you agree to these uses. If you have any questions or concerns, please contact newyork@sagaftra.org.

Thursdays Bi-weekly

Teacher: Mia Christo

This class will introduce acting terminology, screenwriting, and genre and how that affects acting for the camera. 
This course will help students begin to develop a personal preparation system for an on-camera role and introduce them to the business of film and television. Filled with a mix of science and artistry this class focuses on bringing your best for the camera, and learn basic set etiquette.

RSVP: The registration form for this class will open below on Monday, April 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, April 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Thursdays Bi-weekly

Teacher: Evan Bass

Have you been daunted by self-producing or are you an old hat? Self-Producing 101 will delve
into everything pre-production, production, and post-production to give you a template for how
to be prepared at each level of your filmmaking. Featuring Q&As at the end of each session,
bring your notepads and questions and get ready to create your own work!

PART 3: POST-PRODUCTION

• Final Cast List
• Editing
• ADR
• Color Correction
• VFX
• Sound Design
• Score
• Film Festivals
• PR (Website, Social Media, etc.)
• Q&A
   

Topics to be covered in future sessions:

PART 4: EVERY QUESTION, FROM EVERYWHERE, ALL AT ONCE

PART 5: DAVINCI RESOLVE EDITING -- DIVE INTO THE EDIT

RSVP: The registration form for this class will open below on Monday, April 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.