Conservatory

Scene Study Masterclass has been cancelled for Tuesday, January 14 and Tuesday, January 21. We thank you for your understanding. Class will resume on Tuesday, January 28th.

Two additional dates have been added to the Scene Study Masterclass:

• Tuesday, February 18 from 9 a.m. - 12 p.m.
• Tuesday, February 25 from 9 a.m. - 12 p.m.

This is a six week course.

You must have already taken Scene Study Masterclass #1 to take this course.

Once you were registered for the initial prerequisite class on January 7, you were automatically registered for this class.  

Location: SAG-AFTRA Plaza, Maxwell (Lobby Level)
           5757 Wilshire Blvd, Los Angeles, CA 90036

Instructor: Jamison Jones

Description:

Join the SAG-AFTRA LA Conservatory for Scene Study Masterclass with Jamison Jones!

This course is designed to help the actor develop a process that gives them clear-cut results in the audition room, on set, and on the stage, to aid in getting in touch with the emotional center, make strong choices that elevate the material and get them noticed.

Like all great actors they will learn to bring themselves to the role and trust their instincts, all while getting in touch with themselves as an actor, an artist and an individual.

Directions: Actors are required to bring a notebook to class, memorize lines, and work outside of class to ensure they come prepared. It is recommended you wear clothing appropriate to the scene work assigned, arrive to class warmed up, and ready to work. 
 

Actors are recommended to read books such as "Acting: The 1st 6 Lessons" by Richard Boleslawski for this class series. 
 

Questions? Email conservatory@sagaftra.org

This workshop is only open to paid-up SAG-AFTRA members in good standing. No guests allowed. All performers under the age of 18 must be accompanied by their parent or legal guardian. This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for the advice of other industry professionals. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

ADA requests must be received 72 business hours before the start of the event. 
 

This is a six week course.

You must have already taken Scene Study Masterclass #1 to take this course.

Once you were registered for the initial prerequisite class on January 7, you were automatically registered for this class.  

Location: SAG-AFTRA Plaza, Maxwell (Lobby Level)
           5757 Wilshire Blvd, Los Angeles, CA 90036

Instructor: Jamison Jones

Description:

Join the SAG-AFTRA LA Conservatory for Scene Study Masterclass with Jamison Jones!

This course is designed to help the actor develop a process that gives them clear-cut results in the audition room, on set, and on the stage, to aid in getting in touch with the emotional center, make strong choices that elevate the material and get them noticed.

Like all great actors they will learn to bring themselves to the role and trust their instincts, all while getting in touch with themselves as an actor, an artist and an individual.

Directions: Actors are required to bring a notebook to class, memorize lines, and work outside of class to ensure they come prepared. It is recommended you wear clothing appropriate to the scene work assigned, arrive to class warmed up, and ready to work. 
 

Actors are recommended to read books such as "Acting: The 1st 6 Lessons" by Richard Boleslawski for this class series. 
 

Questions? Email conservatory@sagaftra.org

This workshop is only open to paid-up SAG-AFTRA members in good standing. No guests allowed. All performers under the age of 18 must be accompanied by their parent or legal guardian. This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for the advice of other industry professionals. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

ADA requests must be received 72 business hours before the start of the event. 
 

The Muriel Moore/Danny Nelson SAG-AFTRA Conservatory presents: Scene Study for the Working Actor with Clayton Landey

This is Stella Adler based work, designed so that you ask the most effective questions (based in Who, What, When, Where, Why) to bring you to the focused point of being alive and in the moment, as that character. The real question is NEVER how to play it. The real question is how to BE it.

Participants will choose a monologue from a published play or screenplay. Monologues must be approximately three minutes in length. They should speak to you and challenge you. Ethnicity and gender do not matter but they need to be in your age range. You must be off book and come fully prepared to do the work with any props and costumes. You MUST READ the entire play or screenplay. Do not choose work from television or a book of monologues or scenes written specifically for acting classes. 

Landey has been a professional performer, mime, actor, director, producer, writer and acting teacher for over 50 years with over 400 theatre, film, episodic television and commercial credits. His training includes a BA in Drama from the University of Houston, a year with Darryl Hickman, and Masters classes with Stella Adler and Marlon Brando

Only 10 members will participate. There will be a waitlist. If you must cancel, you must do so within 24 hours of the event so another member may participate. 

Doors will close at 7:05 p.m. No one will be admitted after that time out of respect for our presenter and participants. 

Our Conservatory will be collecting non-perishable food items for Atlanta Community Food Bank. 

RSVP: Reservations are required. Please complete the form below to RSVP; you must be logged in to RSVP. 

This event is only open to paid-up SAG-AFTRA members in good standing (paid thru April 30, 2025). No guests are allowed. Parents/guardians of performers under 18 years old are welcome.

Tuesdays Bi-weekly

Teacher: Marc Baron

Discussion will include story, structure, character development, formatting, software, festivals and more.
 

RSVP: The registration form for this class will open on Monday, Jan. 13. Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Monthly on the second Thursday

Teacher: Christina Bobrowsky

This class will focus on wellness techniques to be present and calm the mind. 

Structure 
Beginning with a simple introduction breathwork, I will introduce basic Alexander Technique - a gentle practice to change movement habits in everyday activities. We will begin a discussion on who has experience with these topics and their thoughts. We will explore the ways that acting and awareness go hand-in-hand. We will touch upon additional techniques, i.e. Wim Hof, Transcendental Meditation and Qi Gong.

RSVP: The registration form for this class will open below on Tuesday, Jan. 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Thursdays Bi-weekly

Teacher: Mia Christo

This class will introduce acting terminology, screenwriting, and genre and how that affects acting for the camera. 
This course will help students begin to develop a personal preparation system for an on-camera role and introduce them to the business of film and television. Filled with a mix of science and artistry this class focuses on bringing your best for the camera, and learn basic set etiquette.

RSVP: The registration form for this class will open below on Monday, Jan. 13. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, Jan. 13. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Tuesday, Jan. 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Monday, Jan. 13. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.

Weekly

Teacher: Robert Goodman

Via mainstream acting theories and techniques, proven exercises and improvisation, students are exposed to the stylish and technical demands of camera performance. With emphasis on the ensemble and exposure, today’s audition obligations, to understanding how multi-media training relates to a 21st century actor, we will explore, challenge, and apply the vernacular, etiquette, discipline, and nuance of acting, and note how the process of storytelling applies to the actor. 

RSVP: The registration form for this class will open below on Tuesday, Jan. 7. 

Please bring your SAG-AFTRA member ID card, or digital card in the Member App for admittance. 

If you have questions about the class or need to request an accommodation please email us at ny.conservatory@sagaftra.org. 

This workshop is not intended to imply an endorsement of any individual or company by SAG-AFTRA. Unless otherwise stated, the views expressed are those of the individual guests, not of SAG-AFTRA. The information provided through the workshop is given for informational purposes and may not be a suitable substitute for applicable professional advice. You should always use good judgment in these matters and should not act or refrain from acting based solely on information provided through the workshop.

This event is only open to SAG-AFTRA NY Conservatory Members.