Census Workers Needed

Aug 12, 2020 - 8:00 AM to Oct 31, 2020 - 5:00 PM CDT

Where: Online

SAG-AFTRA is supporting 2020Census to complete an accurate Census count to complete the 2020Census mission. As such, we invite all of our Union members, family and friends to apply for a 2020Census position, and to complete each of your home addresses’ 2020Census forms on-line at 2020Census.gov as soon as possible if you have not done so already. You can directly apply for the positions listed below at 2020Census.gov/jobs from your mobile device or home computer. The 2020Census job description(s) are provided below:

2020 CENSUS ENUMERATOR (EN), CENSUS FIELD SUPERVISOR (CFS), AND OFFICE OPERATIONS SUPERVISOR (OOS) JOB INFORMATION

EN Duties: Visit households that have not completed the Census 2020 survey and have respondents complete it. Enumerators are encouraged to work in the neighborhoods they live in, but can be asked to enumerate elsewhere.

CFS Duties: Supervise enumerator field co-workers.

OOS Duties: Supervise census field supervisors.

Pay: EN - $29.50/hour, OOS - $31.50/hour and CFS - $32.50/hour.

Hours: 10 - 40 hours per week.

Schedule: Enumerators may make their own schedule a week in advance between the hours of 9am - 9pm 7 days a week.

Field Work Period: August 12th - October 31st

Incentives: Enumerators, Census Field Supervisors and Office Operations Supervisors receive an "SF-50" - Notification of Personal Action - form upon completion of their employment. This document proves a person's employment with the federal government, including their pay and duties. If MAC tenants, family and friends aspire to future employment in the federal government, the "SF-50" is a very powerful leg-up for future employment.

If Union members and family have any questions about the positions and/or once they have completed their job application, 2020Census also requests that they send a question email and/or confirmation email that they have completed their job application to either: Witold.Ziarno@2020Census.govPeter.l.Paulsen@2020Census.gov or Jason.Capetillo@2020Census.gov.

 



IFA Presents "At the Table" Table Read Series

Jul 30, 2020 - 6:00 PM to 8:00 PM CDT

Where: Virtual Zoom

Below is the information for the next table read. From filmmaker Anna Maria Hozian, we are pleased to announce that we are reading “Anchor Baby”. If you are interested in putting yourself on tape (audio or video), for consideration to read one of these roles, please email atthetable@ifachicago.org to request the sides for the specific role you are intereseted in.

Deadline for submissions is Monday, July 13, 2020 at 5:00 pm. Please upload your audition tape, resume and headshot via dropbox to:

https://www.dropbox.com/request/2Ok4txqbbw9zzD4xeQLQ

The Table Read is on Thursday, July 30th at 6:00 pm via ZOOM with a rehearsal on Monday, July 27th at 5:30 pm.  You will need to have a strong internet connection on your home computer.

Logline:

After witnessing his father nearly beat a Mexican immigrant to death while patrolling the desert border, a 13-year-old boy growing up in the Arizona Border Militia finds solace in the last place he ever thought he would -- the arms of the new migrant girl in town.

Synopsis:

The world of thirteen-year-old ISAIAH JENNINGS revolves around his small Arizona town, his friends, and most of all his father, PERSHING JENNINGS, a leader in the local border militia. When he discovers his mother, EUGENIE, is delivering “anchor babies” as a midwife for undocumented mothers, Isaiah is determined to tell his father, but soon realizes it will tear his family apart. Instead, against his mother’s wishes, Isaiah joins his father looking for immigrants crossing the border. But while in the desert, Isaiah witnesses the militiamen nearly beat an undocumented Mexican migrant to death. Isaiah’s family begins to fracture under the weight of these secrets and he finds refuge in an outsider, JULIA DELGADO, the new migrant girl in town. Armed with the power of a first love, Isaiah must choose whether to stay loyal to his father and the world he has always known, or to step outside and determine for himself what is right and what is wrong. But his father’s unraveling may cost them all too much in the end, and Isaiah's world could implode just as he begins to understand it.


Character Breakdown:

NARRATOR: Latina woman, 30s and above.  

ALBERTO:  Julia’s father, Colombian, 30s/40s. Works around the clock to provide for his family. Does not like the idea of his daughter going anywhere near the boys and their families in this town. Believes that the U.S. will provide opportunities for them, but he’s not buying into the American Dream, either. He does not look back and pine for Colombia - he simply wants to move forward with his life, and his wife and daughter’s lives. Fluent in Spanish a plus.

 

EUGENIE: Isaiah’s mother, Caucasian, 30s. To keep her family fed and together, she works every job she can find, including delivering babies to undocumented migrants, which she keeps from her husband (Pershing). She was young when she fell in love with Pershing, but now feels trapped in her marriage — they have no money and nowhere to go.

 

FITZ:  Grandfather of Isaiah and Father of Pershing, Caucasian, 50s-70s. Served in Vietnam and is a Marine through and through. Finds his son’s (Pershing’s) actions as an Arizona Militia member to be embarrassing. He wants his grandson (Isaiah) to follow in his footsteps as a Marine, not his father’s, and has come back to Arizona to be sure that he does.

 

ISAIAH:  Caucasian, a 14-year-old boy growing up in the Arizona Border Militia. His father (Pershing) is one of the founders. He believes his father walks on water — that is, until he sees him beat a man in the desert. Enmeshed in this world, he tries to avoid getting pulled deeper into it, but can only find an escape through Julia, the new girl in town.

 

PERSHING:  Isaiah's father, Caucasian, later 30s. A man who wants nothing more than to raise his family, but with a failing economy and no education, he blames the rest of the world, particularly immigrants, for his station in life. After losing his job, instead of facing the tough decision to start over somewhere else or in some other field, he chooses to found a border militia group to try and stop immigrants crossing from Mexico.

 

JULIA:  Colombian, 14/15-year-old, the newly arrived girl in school. She has been in the U.S. since she was young, but is new to town here in Arizona. She wants to learn as much as she can and grow independent, not needing people like those in this town. She has as many assumptions about Isaiah as he does about her — many are true, but many are not. Fluent in Spanish a plus.

 

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied. AT THE TABLE is an unpaid stage performance presented to a live virtual audience. Casting will be based on vocal quality and characterizations. We are committed to diverse, inclusive casting. For every role, please submit qualified performers, without regard to race, age, color, national origin, sexual orientation or gender identity, disability or any other basis prohibited by law, unless otherwise specifically indicated.



SAG-AFTRA Foundation Presents: A Conversation with Angelique Midthunder

Jul 01, 2020 - 1:00 PM to 1:00 PM PDT

Where: Online

Join us for a remote Zoom conversation with Casting Director Angelique Midthunder. This is an "Ask Me Anything" style Q+A. Member participation encouraged. This conversation will not be recorded.

When: July 1, 4 p.m. ET / 3 p.m. CT / 1 p.m. PT

Click here to RSVP. 

RSVP-ed members will receive the Zoom link by email one hour prior to the start of the program, and will be able to ask questions through Zoom's chat function.

Angelique Midthunder began her career in casting in the mid-1990s after working internationally as an actress and discovering an intrigue for the casting process.

Angelique spent many successful years working in Los Angeles, and in 2005 relocated to Santa Fe, New Mexico where she quickly became one of the Southwest region's preeminent casting directors.

In addition to casting every character type, Angelique has developed a special niche for casting Indigenous roles and prides herself on preserving integrity in cultural casting while recognizing the value of creative freedom.  

In 2010 she was nominated alongside Richard Hicks and David Ruben for an Emmy for location casting on “Outstanding Casting for a Miniseries, Movie or a Special” for Georgia O’Keeffe - and in 2017, she was nominated alongside Jeanne McCarthy for an Aritos Award for location casting for "Captain Fantastic."  She is a current member of the Casting Society of America (CSA) and the Academy of Television Arts & Sciences.  

http://www.midthundercasting.com/

Moderated by Rochelle Rose, National Director of Performers Programs, SAG-AFTRA Foundation.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.



SAG-AFTRA Foundation Small Group Sessions Present: Actor Career Focus

Jun 30, 2020 - 1:00 PM to 1:00 PM PDT

Where: Online

This class will meet REMOTELY. All RSVP'D Members will receive a GOOGLE HANGOUTS Link inviting them to join the class at the time of Check-in.

When: 4 p.m ET / 3 p.m. CT / 1 p.m PT

There are many areas an actor can pursue within the entertainment industry. By taking the time to narrow down what an actor really wants to focus on it can free them up to deepen their pursuit of job opportunities. In this session, we will examine the different ways an actor can focus their career goals and discuss how one can create a system by which to effectively target the industry professionals within that area.

Click here to RSVP.

Please bring pencil or pen along with something to take notes.

Small group sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for 1.5 - 2 hours. Participants must stay for the whole time.

Before attending, it is recommended you watch the panel discussion here.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

 



SAG-AFTRA Foundation Small Group Sessions Present: Budgeting Your Time

Jul 01, 2020 - 1:00 PM to 1:00 PM PDT

Where: Online

This class will meet REMOTELY. All RSVP'D Members will receive a GOOGLE HANGOUTS Link inviting them to join the class at the time of Check-in.

When: 4 p.m. ET / 3 p.m. CT / 1 p.m. PT

Click here to RSVP.

Time is a finite resource. If you do not plan how to best use your time, days, weeks, months or years could go by without you feeling like your goals have been achieved. In this small group session we will examine where you can adjust past habits to best use your time in relation to your acting pursuits. You will come out of this session with some techniques to budget your time more effectively.

Please bring pencil or pen along with something to take notes.

Small group sessions are facilitated discussions with the goal of digging deeper into some of the information and advice shared within the panels. These sessions provide a time to break down concepts into practical action items by which an actor can individually apply to their professional pursuits. This session will last for an hour and a half. Participants must stay for the whole time.

Before attending, it is recommended you watch the panel discussion here.

 



SAG-AFTRA Foundation Presents: Casting Access Online with Caroline Sinclair

Jun 30, 2020 - 1:00 PM to 1:00 PM PDT

Where: Online

This online class will provide feedback from an experienced casting professional. No more than 20 performers will be participating. 

We will be holding a  Q&A with Caroline online Tuesday June, 30 at 4:00 p.m. ET / 3 p.m. CT / 1 p.m. PT

Click here to RSVP.

The Q&A will meet REMOTELY. All RSVP'D Members will receive a Link inviting them to join the class at the time of Check-in.

Once you have received your sides, you will have until the deadline to rehearse, record, and upload a video containing your performance. You will upload the video using your YouTube account and email the video link. Finally, the casting director will review your workshop video and provided notes.

Caroline Sinclair originally from London is a noted NYC based Casting Director, with two decades of casting Film, TV and Theater. Her recent films include GOTTI, starring John Travolta and directed by Kevin Connolly. GREEN DOLPHIN, Executive Produced by Keanu Reeves and Michael Mailer's BLIND, with Alec Baldwin and Demi Moore. Past films include BAD HURT, which played at the Tribeca Film Festival, indie hit PARTY GIRL, THE LIVING WAKE with Jessie Eisenberg and Wim Wender and Alex Gibney's THE HOUSE IS BURNING. Currently she is casting the comedy ETERNAL BUZZ. She recently worked on the just wrapped SARAH Q.

You must have completed a Casting Access application prior to registering for this class.

If you RSVP for this class you must be able to upload your video by 10:00am EST on July 6th. DO NOT BE LATE. Those who have been seated by June 30th are expected to comply.  You will not receive sides until after Friday's Q&A. 

This class is open to all actors with an approved Casting Access Profile regardless of location. 

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.

Your video will not be accepted IF:

-Your video is shot vertically instead of horizontally. If you need to shoot on an iPhone or tablet, turn it sideways.

-It is not appropriately framed. Standard framing is top of the head to mid chest.

-The video has poor sound, clarity, or lighting. It doesn’t have to be perfect, but it cannot take away from your performance.

-You have a distracting background. If you cannot provide a solid background, a minimal background is best.

-Your video has title cards or subtitles. They are unnecessary.

-Your video settings are not Unlisted. Videos that are Private or Public will not be accepted.

-You “share” the video through YouTube. You must email the video URL to the specified email address.

 



Save Chicago Local News Rally

Jun 27, 2020 - 10:00 AM to 10:00 AM CDT

Where: Haymarket Plaza

Labor and Community Leaders Join the Fight to Save Local News in Chicago

Local news has been more important than ever in recent weeks, but Chicago journalism is facing an uncertain future. Reporters put their health and safety at risk to tell the stories of how a global pandemic is affecting our city and how protests have roiled the streets of Chicago. Yet during these historic past few months, corporate owners have instituted layoffs and furloughs that leave reporters on the sidelines. These dedicated workers want to do their work, and labor and community leaders want to show their support.

Join your fellow members this Saturday at noon to preserve local news!

When: noon, Jun. 27

Where: Haymarket Plaza, Chicago
175 N. Desplaines (east side of Desplaines, north of W. Randolph)

For more information, click here.



SAG-AFTRA Foundation Computer Lab Online Presents: "Ask Any Tech Questions"

Jun 29, 2020 - 9:45 AM to 9:45 AM PDT

Where: Online

This is a great time to get things done and you might have a question or two that's keeping you from taking the next step. Perhaps you're picking up where you left off in one of our classes or trying to finish up your project or just trying to get a little confidence going, this is your chance to get help during this online forum where members will submit questions so that we can address them as efficiently as possible while at the same time helping as many of you as we can. We welcome all questions from all levels of experience.

When: Monday, June 29, 12:45 p.m. ET / 11:45 a.m. CT / 9:45 a.m. PT

Click here to RSVP.

Once you have signed up, you will be sent a link to submit your question(s).

NOTE: This is a THREE HOUR class.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.



SAG-AFTRA Foundation Computer Lab Online Presents: Intro to Narrative Video Editing with iMovie for Mac

Jul 01, 2020 - 9:45 AM to 9:45 AM PDT

Where: Online

NOTE: This is a THREE HOUR class that will take place ONLINE.

To participate, you must confirm the following:

1. You can participate using a desktop computer (Mac or PC). No smartphones or tablets. 

2. You have a reliable Internet connection (Wifi at home).

3. You can successfully run this Zoom/audio test - https://zoom.us/test

* Zoom is a web conferencing provider which the Foundation will be using for its remote programming. It may require you to install some software which should be seamless.

This three hour class is for SAG-AFTRA members interested in learning how to edit narrative projects (e.g. short film, web series) using iMovie. In this class you will learn all of the basics of how iMovie works by editing a short scene.

Please Note: This class is not an introduction on how to use a computer, so basic computer skills are required. No exceptions. 

Requirements:
- An Apple Macintosh computer (desktop or laptop) with the latest version of iMovie installed (version 10.1.14)
- Desire and ability to learn to edit digital video footage using Apple iMovie.

When: July 1, 12:45 p.m. ET / 11:45 a.m. CT / 9:45 a.m. PT

Click here to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.



SAG-AFTRA Foundation VO Lab Presents: Auditioning in Quarantine - Home Studio Evaluation

Jun 25, 2020 - 3:00 PM to 3:00 PM PDT

Where: Online

Auditioning from home has been the reality in the VO industry for quite some time, but during quarantine it has become the only option.  These days, it's not just your read that is auditioning, it's also your home studio. Want to give that a try in a low-stakes environment? Let's help each other out! 

When: Thursday, June 25, 6 p.m. ET / 5 p.m. CT / 3 p.m. PT

HOME STUDIO IS REQUIRED FOR THIS CLASS

 Here's how it will work:

-The day before the class you will receive sides, follow the directions and email back prior the class start time to be permitted in the Zoom room.

-We all listen to the auditions and see if the actor followed the specs, direction, file naming instructions, etc.

-We evaluate the actor's performance

-We evaluate home setup as a usable option for home auditioning and offer tips for improvement

-Limited to 15 people

-It is recommended that you attend the Zoom class in your home studio setup

REQUIREMENTS

Must have a home studio set up.

Must submit files/MP3's prior to the class as instructed or you will not be permitted to join.

Click here to RSVP.

The products and services noted herein are provided as an informational service to SAG-AFTRA members and are administered by entities independent of SAG-AFTRA. Any questions must be handled by the provider. This information is not intended to serve as an endorsement nor is any warranty or guarantee implied.



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